Composer’s session award

The composer’s session award is up and running for the first time at .

I’ve been discussing this idea for a while with friends and colleagues who do a similar virtual session thing to me, and now we have 8 enthusiastic musicians involved.

There are a variety of catalysts for this project:

  • I want to promote the work of those involved.
  • I want to help other musicians to adopt this model (and the working practices that go with it).
  • And I want to encourage composers and music producers to use more real instruments in their work.

It’s this last point that has motivated me most.  On social networks I’ve seen too many music makers either get out of the habit of the real thing, or never getting into it in the first place.  ‘Samples sound so good’; yeah but don’t they feel crap, more often than not? ‘I don’t need musicians now I have all these sample libraries’; sure, and you run the risk of sounding exactly like everyone else who believes that rationale. ‘I’ll use musicians when I get the budget’; which comes first, the budget for musicians or the showreel with live performance on it?

So I confess I’m on a bit of a mission to promote the value of musical performance, and what better way to do it than to give it away to someone who deserves it?  And I’m not to be the judge of that, but 2 established, award winning composers: Ian Livingstone and Richard Mitchell .

One response to “Composer’s session award

  1. Thank you for the link on Introduction to string arranging. Very helpful! It is greatly appreciated. If you put up any new similar links or have similar info, please do kindly send it to me or point me in the right direction to it. Thank you for sharing your knowledge.

    Kind regards

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